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DEVIATION

The installation stretches across the room like a carpet of glass fragments, woven from shards collected worldwide. Broken glass often feels ominous: shattered windows before earthquakes, shards from riots, or jagged borders meant to keep people out. Today, it can seem as though shards are everywhere, and humanity doesn’t always appear in the best light.

Based on texts by historian Rutger Bregman, DEVIATION reveals another truth: in times of crisis, people tend to move closer together, and acts of kindness grow. Negativity may be louder, but history shows cooperation prevails. From certain angles, the processed shards catch light and divide it a hundredfold, turning fragments of destruction into reflections of hope.

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In his worldwide research, historian Rutger Bregman comes to a surprising conclusion: human beings are, at their core, good. Could it be that we mistrust ourselves unjustly? What if, in the crucial moments of our lives, it isn’t a malicious, barbaric nature that emerges, but a fundamentally good one?
Bregman supports his thesis with impressive examples:


In October 1939, Hitler ordered his generals: „The ruthless use of the Luftwaffe to break the British will to resist.“ Experts warned of panic and violence. They predicted that in such exceptional situations, humans would „descend several steps on the ladder of civilization. The city will slip into total chaos.“

On September 7, 1940, German planes reached London. Over 80,000 bombs fell in nine months, and a third of the city was destroyed. However, instead of chaos, the Canadian psychiatrist Dr. John MacCurdy observed: „Children continued to play, customers haggled, and police officers nonchalantly directed traffic.“ Solidarity outweighed fear. People later recalled a t ime of unity, „when everyone helped each other, and it didn‘t matter whether you were left-wing or right-wing, poor or rich.“ The attack was horrific – but it brought people together. The British will to resist was not broken. Despite these findings, the Royal Air Force insisted on responding to the attacks with counterattacks. During these bombings, ten times as many people died as on September 7. However, in Germany, mass panic also failed to materialize. People reported a strong sense of social cohesion: they came together and stood up for one another.

After the war, U.S. economists examined the effects of the bombings. The main question was: Should the army have used this type of warfare more frequently? The answer surprised everyone: The bombings had been a fiasco. The German war economy was even strengthened, possibly prolonging the war. An American economist wrote: „We began to realize that we had encountered one of the greatest misjudgments of the entire war.“

 

When we receive reports about war or disasters, humanity is usually not portrayed in a positive light. But data, studies, and eyewitness accounts show that human nature is not as dark as it is often depicted.

 

he installation raises the question of whether our perception of civilization and chaos is a profound misjudgment. The installation consists of broken glass collected from all over the world and sent to Berlin. The data in the text was compiled by historian Rutger Bregman.


The data from the text were published by historian Rutger Bregman in the book Humankind: A Hopeful History.
https://rutgerbregman.com/books/humankind

The installation consists of 1,200 glass shards, each of which is aligned by hand. The train is moved centimeter by centimeter and each new glass shard is turned into the correct position so that the beam of light is directed to the next glass shard. As soon as the train starts moving, this creates a chain reaction of light...

The carpet of sharp glass shards immediately creates a feeling of unease when you enter the room. Everything glitters, everything cuts, everything threatens.
A kaleidoscope of beauty and danger – inextricably intertwined.

Artwork „DEVIATION“ BY:
Sven Sauer

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TRAIN MODIFICATION:

Helldorfer Engineering

 

ELECTRONICS:

Lukas Esser

 

CREATIVE CODING:

Markus Graf

 

PRODUCTION:

Sevval Gür

Martin Hussain

 

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MUSIC:

Theatre_of_delays

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TEXT AND STUDIES BY:

Rutger Bregman

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Video:

Frank Sauer

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Exhibition:

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